spin your webs strong, your stories thick. send your words out from their corners
into the world and watch: they pull us along.

Summer 2026 Issue 4
ISABELLA BICKENBACH
claustrophobia
i can’t breathe.
that’s what the fish must have thought
right?
when the oxidised hook sank
into the soft viscid flesh of its upper stomach
probing its way through the pancreas & spleen
liver heart then curling upwards through
the gill with a tender clang, muted
by water, as it scraped the bone. the fish felt
its little heart give with a small tug, an offering
made to the rocky & canopied clay floor.
the line snapped upwards with a sudden yearning
& the fish,
pondering its current predicament,
helplessly struggled to break free as the darkness
grew brighter on the soundless journey to shore.
as the fish pierced through the lid of the pond, like
an old sore splitting open, it took in the warm
air, strangely unnerving,
& the two sets of human eyes tracing its
ruined body arcing towards them. at first,
when the swells of raw oxygen collided with
the fish, it thought that it must have
ondine’s curse, for that must explain the stabbing
sensation in its gills. until it breathed in suffocation
from the unbreathable, unfaithful air. breathing
is scary
but not breathing is even scarier.
by the time the fish landed with a
liquid flop on the wooden boat, he was gray.
you didn’t mean to kill it, as told by you.
i was your witness. you thought we would
hold it for a second, marvel at our cleverness
as its silvery body struggled in our hand then
return it to the water. must have pulled too
hard on the line, you said. hook done it.
i can’t breathe.
that’s what remember i said
when i slipped
getting off the boat &
fell on my back
& you said if i couldn’t breathe i would be able to say i couldn’t breathe so
home.
to bed. 5:30. missed dinner it was fish.
woke up next day
breathing
ISABELLA BICKENBACH is currently a junior studying Media, Culture, and Communication at New York University. She enjoys writing for the sports column for her school's newspaper (Washington Square News), figure skating, and grooving on the piano and guitar. Her work has been featured in Fellowship of the Unmoored, Canyon Voices Literary & Art Magazine, Green Blotter, The Green Street Review, and Nouveau Re:AL.